“I am the Corrupt Minority.”
Taravat Talepasand, born in 1979 in the United States to Iranian parents during the Iranian Revolution. Retained close family and artistic ties to Iran, Esfehan, where she was trained in the challenging discipline of Persian miniature painting. Paying close attention to the cultural taboos identified by distinctly different social groups, particularly those of gender, race and socioeconomic position, her work reflects the cross-pollination, or lack thereof, in our “modern” society.
Talepasand's works on paper and egg tempera paintings draw on realism to bring a focus on an acceptable beauty and its relationship with art history under the guise of traditional Persian painting. Her interest, however, is in painting a present which is of and intrinsically linked to the past, making it easily understood by the Iranian and inductive of assumption for the Westerner. “Since I myself am considered a taboo in that I am a conglomerate of equal, yet irreconcilable cultural forces, my work challenges plebeian notions of acceptable behavior.” says the artist.